“Director Laura Attridge…put over the action with remarkable lucidity”
– Opera Magazine
“…sustains exhilarating momentum”
– The Stage
“Simple, authentic and quietly heartbreaking, this…is the perfect example of a fringe show holding an enormous candle to its big-stage counterparts”
– Fringe Opera
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About Laura

Laura is a librettist, poet and occasional playwright. She has had poetry published in prestigious magazines and zines including The Rialto and Mslexia, and song cycles premiered at Glyndebourne, the Royal College of Music (RCM), the National Gallery and Bard College (NY). Her operas include A Different Story (Royal Opera House Youth Opera Company, 2019), Then to the elements (Scottish Opera, 2018), Belongings (Glyndebourne, 2017) and Now (RCM/Tête-à-Tête, 2014). Laura recently scripted the Royal Opera House’s new participatory workshops for children, Opera Dots. Laura is half of creative duo Murphy & Attridge.

Laura has directed pieces of new theatre at venues including the Southwark Playhouse, Arts Theatre, Tristan Bates Theatre, and Camden People’s Theatre. Her recent opera direction includes Don Giovanni (Waterperry Opera Festival, 2018), The Rape of Lucretia (Trinity Laban Conservatoire, 2018) and Jonathan Dove’s The Enchanted Pig (Hampstead Garden Opera, 2017). This year she returns to Waterperry to direct The Magic Flute. As an Assistant/Staff Director she has worked with companies such as Glyndebourne Festival Opera, English Touring Opera and Opera Holland Park.

Laura is in demand for a large range of outreach, education and community projects. Recent engagements have included leading teacher training for the Royal Opera House, workshops with the Royal Opera House’s Youth Opera Company and Glyndebourne Youth Opera, directing Snappy Operas for Mahogany Opera Group, and creating and delivering A Manchester Songbook: a project mentoring pairs of composers and writers through the collaborative process. This spring Laura led workshops in schools to accompany Opera North’s new production of The Magic Flute.

Click here to read Laura’s full biography.

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Latest News & Dates

Projects 2019

In January Laura leads ‘Create and Sing’ teacher training workshops for the Royal Opera House.

Across February and March Laura works with Opera North, delivering workshops to accompany their programme of schools’ matinees of The Magic Flute.

Between March and July Laura returns to Glyndebourne, assisting Richard Jones on his new production of Berlioz’s ‘dramatic legend’ La Damnation de Faust.

An extract from Laura’s Opera Dots ‘Hansel & Gretel’ script is showcased as part of Dots Day at the Royal Opera House in June.

July sees Laura join forces again with conductor Bertie Baigent at Waterperry Opera Festival, for a new production of The Magic Flute.

A new opera by Murphy & Attridge, written for the Royal Opera House’s Youth Opera Company to celebrate its 10th Anniversary, will premiere in the Linbury Theatre in August.

Plans for August also include a residency for Laura at The Red House in Aldeburgh, alongside composer Lewis Murphy, as part of Wild Plum ArtsMADE AT THE RED HOUSE scheme.

Between September and November Laura works with After Eden Productions and Kentish Town Primary school towards an abridged performance of Brundibar as part of this incredible event at the Jewish Museum, London.

In September Laura’s Opera Dots script will be performed again at the Royal Opera House.

In October Laura leads more teacher training for the Royal Opera House as part of their ‘Create and Sing’ programme.

Projects 2018

Between September and November Laura was Assistant Director for Glyndebourne’s 2018 Tour revival of La Traviata, and Consultant Director for their innovative new production La Traviata: Behind the Curtain.

In October the Royal Opera House launched its new music programme for under-5s, Opera Dots, with its first participatory workshops scripted by Laura.

On September 11th Laura spoke as part of the 2018 OBERTO Conference at Oxford Brookes University. The theme was ‘Opera and Violence’.

Laura directed the headline production, Don Giovanni, for the inaugural Waterperry Opera Festival, in August.

In July Laura co-ran a day of workshops at the Royal Opera House for their Youth Opera Company.

Across June and July Laura directed Britten’s The Rape of Lucretia at Trinity Laban Conservatoire.

A bespoke aria written by Laura and Lewis for one of the exceptional young artists at the National Opera Studio, as part of their project 12:40, premiered in June.

Between March and May, Laura and Lewis led ‘A Manchester Songbook’, mentoring composers from the Royal Northern College of Music and writers from The Writing Squad to collaborate to create a series of new songs.

April saw the premiere of Laura and composer Lewis Murphy’s piece, ‘Then to the elements’ by Scottish Opera‘s Connect Company.

Laura joined Mahogany Opera Group for their innovative project ‘Snappy Operas’, directing five new ten-minute operas performed by primary school children in March.

In February Laura was an Artist in Residence at the Suzy Newhouse Center for the Humanities at Wellesley College, Massachusetts.

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