Laura has had poetry published in prestigious magazines and zines including The Rialto and Mslexia, and song cycles premiered at Glyndebourne, the Royal College of Music (RCM), the National Gallery and Bard College (NY). Her operas include A Different Story (Royal Opera House, Linbury Theatre, 2019), Then to the elements (Scottish Opera, 2018), Belongings (Glyndebourne, 2017) and Now (RCM/Tête-à-Tête, 2014). Laura is currently writing the text for a new oratorio on the subject of climate change for Buxton International Festival, with composer Kate Whitley. She is half of creative duo Murphy & Attridge.
Laura has directed pieces of new theatre at venues including the Southwark Playhouse, Arts Theatre, Tristan Bates Theatre, and Camden People’s Theatre. Her recent opera direction includes The Magic Flute and Don Giovanni (Waterperry Opera Festival, 2019 and 2018, respectively), The Rape of Lucretia (Trinity Laban Conservatoire, 2018) and Jonathan Dove’s The Enchanted Pig (Hampstead Garden Opera, 2017). This Spring she directs Cosi fan tutte for English Touring Opera.
LEARNING & PARTICIPATION
Laura is in demand for a large range of outreach, education and community projects. Recent engagements have included leading teacher training for the Royal Opera House, workshops with the Royal Opera House’s Youth Opera Company and Glyndebourne Youth Opera, directing Snappy Operas for Mahogany Opera Group, and creating and delivering A Manchester Songbook: a project mentoring pairs of composers and writers through the collaborative process.
Laura’s interactive adaptation of Humperdinck’s Hansel and Gretel for the Royal Opera House’s Opera Dots programme is performed again in March.
March also sees Laura working with scholars and fellows of Independent Opera on their audition preparation and technique.
An interview with Laura and composer Kate Whitley about their new oratorio will be broadcast as part of the Buxton International Festival’s digital programme in July, featuring an exclusive sharing of some material from the commission.
Remainder of 2020 diary TBC, dependent on current events.
In October Laura led teacher training for the Royal Opera House as part of their ‘Create and Sing’ programme.
Between September and November Laura worked with After Eden Productions and Kentish Town Primary school towards an abridged performance of Brundibar as part of this incredible event at the Jewish Museum, London.
Laura joined the panel for the end-of-day discussion at the 2019 OBERTO conference, on the theme of ‘The Canon Reloaded’, in September.
July saw Laura join forces again with conductor Bertie Baigent at Waterperry Opera Festival, for a new production of The Magic Flute.