February sees the first international premiere of Belongings (by Laura and composer Lewis Murphy) at Minnesota Opera.
Laura directs a new production of Cosi fan tutte for English Touring Opera, with performances at numerous venues across the UK between February and May.
In March Laura leads more ‘Create and Sing’ teacher training workshops for the Royal Opera House.
Laura’s interactive adaptation of Humperdinck’s Hansel and Gretel for the Royal Opera House’s Opera Dots programme is performed again in March.
March also sees Laura working with scholars and fellows of Independent Opera on their audition preparation and technique.
Laura’s poems, Bird, Yoga and Photo Booth are published as part of project ‘Staying Home’ from The Writing Squad.
An interview with Laura and composer Kate Whitley about their new oratorio will be broadcast as part of the Buxton International Festival’s digital programme in July, featuring an exclusive sharing of some material from the commission.
The Royal Opera House have commissioned a new art song from Laura and composer Lillie Harris, premiere TBC.
Remainder of 2020 diary TBC, dependent on current events.
Across October and December Laura directed an abridged version of A Different Story at the Royal Opera House with their Youth Opera Company, for a private studio performance.
In October Laura led teacher training for the Royal Opera House as part of their ‘Create and Sing’ programme.
Between September and November Laura worked with After Eden Productions and Kentish Town Primary school towards an abridged performance of Brundibar as part of this incredible event at the Jewish Museum, London.
Laura joined the panel for the end-of-day discussion at the 2019 OBERTO conference, on the theme of ‘The Canon Reloaded’, in September.
In September Laura’s Opera Dots script was performed again at the Royal Opera House.
August included a residency for Laura at The Red House in Aldeburgh, alongside composer Lewis Murphy, as part of Wild Plum Arts‘ MADE AT THE RED HOUSE scheme.
A new opera by Murphy & Attridge, A Different Story, written for the Royal Opera House’s Youth Opera Company to celebrate its 10th Anniversary, premiered in the Linbury Theatre in August.
July saw Laura join forces again with conductor Bertie Baigent at Waterperry Opera Festival, for a new production of The Magic Flute.
An extract from Laura’s Opera Dots ‘Hansel & Gretel’ script was showcased as part of Dots Day at the Royal Opera House in June.
Between March and July Laura returned to Glyndebourne, assisting Richard Jones on his new production of Berlioz’s ‘dramatic legend’ La Damnation de Faust.
Across February and March Laura worked with Opera North, delivering workshops to accompany their programme of schools’ matinees of The Magic Flute.
In January Laura led ‘Create and Sing’ teacher training workshops for the Royal Opera House.