Laura’s interactive adaptation of Humperdinck’s Hansel and Gretel for the Royal Opera House’s Opera Dots programme is performed again in March.
March also sees Laura working with scholars and fellows of Independent Opera on their audition preparation and technique.
Laura curates three ‘Distance Dialogues’ for The Writing Squad in June, facilitating discussion between writers on subjects practical and philosophical.
An interview with Laura and composer Kate Whitley about their new oratorio is broadcast as part of the Buxton International Festival’s digital programme in July, featuring an exclusive sharing of some material from the commission. Watch now:
In August composer Lewis Murphy and Laura (as Murphy & Attridge) discuss the art of writing opera, and preview their new commission, ARC23, as part of the Leeds Opera Festival. Watch now:
Murphy & Attridge’s new online project, Notes from Isolation, launches in August, featuring bespoke songs inspired by, written for, and performed by eight singers in lockdown.
‘The World Awakens’, the final movement of Laura’s new oratorio, Our Future In Your Hands, premieres in October in Gloucester Cathedral alongside travelling installation Gaia, in the form of a digital choir project produced by the Multi-Story Orchestra.
Remainder of 2020 diary TBC, dependent on current events.
In October Laura led teacher training for the Royal Opera House as part of their ‘Create and Sing’ programme.
Between September and November Laura worked with After Eden Productions and Kentish Town Primary school towards an abridged performance of Brundibar as part of this incredible event at the Jewish Museum, London.
Laura joined the panel for the end-of-day discussion at the 2019 OBERTO conference, on the theme of ‘The Canon Reloaded’, in September.
July saw Laura join forces again with conductor Bertie Baigent at Waterperry Opera Festival, for a new production of The Magic Flute.